• Why Peg Bundy Was the True ’90s-Sitcom Domestic Goddess [The Washington Post]
• When Fashion Designers Become Directors, They Bring Movies a Much-Needed Visual Stamp [The Washington Post]
• Where Have All the Erotic Thrillers Gone? [The Washington Post]
• Why I Love Erotic Thrillers [The New York Times]
• I Think About This a Lot: The Time Bob Dylan Starred in a Victoria’s Secret Ad [The Cut]
• I’m Obsessed With These 1970s Cosmo Covers [Buzzfeed]
• Let Women Make Erotic Thrillers [The Outline]
• Live, Laugh, Love Like a ’70s Supermodel [The Outline]
• What Is It You Do, Again? [The Outline]
• In William Klein’s Fashion Films, Humor and Critique Clash Playfully [The Village Voice]
• In the Quad Cinema’s Series of Erotic Thrillers, Women Do as They Damn Well Please [The Village Voice]
• Lust in Space [Artforum]
• A Classic Film Reminds Us That Modeling Is Labor [Hyperallergic]
• The Woman Who Recorded Decades of TV News on 70,000 VHS Tapes [Hyperallergic]
• To Die For Presents a Nightmare Version of Toxic Femininity [Decider]
• The Erotic Thriller Wild Things Deserves a Better Reputation Than “Guilty Pleasure” [Thrillist]
• Pretty When You Cry: Isabelle Adjani’s Tragic Heroines [MUBI Notebook]
• What’s Wrong With Being Sexy?: Revisiting Emmanuelle [MUBI Notebook]
• Goodbye, Girls: How the Finale Took on the Groundbreaking Show’s Legacy [Rolling Stone]
• Laura Dern’s Outfits Are the Best Part of the Twin Peaks Reboot [Racked]
• Fatal Instinct Is Still a Funny Swipe at Erotic Thrillers’ Dumb Sexiness [Vice]
• The Camp Fashion World of Portfolio [cléo]
• Conjuring Books at the Most Magical Library in the World [SYFY]
• Truth or Dare Turns 25, But of Course Madonna Is Timeless [Observer]
• Why I Love Jayne Mansfield’s Performance in The Girl Can’t Help It [Little White Lies]
• Lace Gloves & Cheez Doodles [Joan’s Digest]